一直作為米路斯.科曼劇本鐵三角(另一(yī )(🌰)位是帕培錫,也是(🕰)本片(piàn )編(biān )劇之一(yī ))成(chéng )員的(de )艾雲.巴(🔬)薩,當然也走低度戲劇路線。同是(shì )音(yīn )樂(♑)家的彼德與(⚫)卡洛(luò )老(lǎo )友(👑)重逢,生活狀(zhuàng )況大不同,你有伴侶(🚉)我有家(🐖)庭,然而(ér )都有說不出的不明朗,唯有(yǒu )(🐶)以酒與音樂代替口(kǒu )水。全片(piàn )推展不問目(mù )的,只(🛑)在剎那(🖲)間的意圖,行行企(㊗)企比起(💻)科曼更(gèng )義(🔝)無反顧,卻有生活(huó )淡(dàn )如流水(🙉)的(💪)詩(⛓)意和繆思,叫(🥫)觀眾聯想到二(🤲)十(🕙)年(nián )後的伊力.盧馬(🎋)。巴薩(🐀)鍾愛音(🧣)樂(🤖)的程度不(👣)下於(yú )文字和(💝)電影,古典音樂與(yǔ )民間音樂於全(➡)片(piàn )迴轉迴(huí )盪(dàng ),難怪成了(le )奇斯(🌼)洛夫(💹)斯(sī )基(jī )十大心愛電影之一。 康城(chéng )(⏲)影展(🔤)青年評審團(tuán )(🔷)獎(jiǎng ),美國全國影評人(rén )協(🚲)會特別(🌂)獎 (🐖) 這部(bù )1966年的珍(zhēn )品(pǐn ),是(🍁)捷克新浪(😳)潮短暫生命中最(zuì )佳作品之一。成名音樂家(🕺)到小鎮(zhèn )探(tàn )訪(🚩)舊同(tóng )學,舊同學是個窮音樂教師,有(yǒu )時在喪禮上吹(🖱)奏(💛)樂(👼)曲。平凡的素(sù )材在(zài )(🙅)巴(🛃)素手裡,變出風趣(♊)復罕見(jiàn )(🏗)的(de )旋律(🏆),一部憂鬱的喜劇,或灰色喜劇(jù )。 (♟) - Dave Kehr, Chicago Reader (🔰) (🍂) (🏉)Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🐃) Special Award, National Society of Film Critics Awards (💒) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (👚) Source HKIFF Czech New Wave 2006
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