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一(🈯)直(zhí )作為米路斯．科曼劇(jù )本鐵三(🏽)角（另一位(wèi )是帕(pà )培錫(xī )，也是本片(🤴)編劇(jù )之(🔧)一）成員的(🐉)艾(🛤)雲．(🍖)巴薩，當然也走低(dī )度戲劇路(lù )(⏬)線。同是(shì )音樂家(jiā )的彼(🚤)德(dé )與卡(🐿)洛老(🔸)友重逢(🤷)，生活狀況大不(🙍)同，你有(yǒu )伴侶(🚉)我有(🚥)家(🐖)庭(tíng )，然而都(🎫)有(yǒu )說不(😚)出(chū )的(de )不明朗，唯有以酒與(yǔ )音(😱)樂代(dài )替(🔊)口水(shuǐ )。全(quán )片推展不問目的，只(🛑)在(⏯)剎那間的(de )意圖，行行(háng )企企比(bǐ )起(qǐ )(💻)科曼(màn )更(gèng )義無反顧，卻有生(shēng )(🌞)活淡如流水的詩意和繆思，叫觀(🤷)眾聯(🧤)想到(dào )二十年後的伊力．盧馬(🎋)。巴薩(sà )鍾愛(🚴)音(yīn )樂的(de )(⚾)程度不下(🗳)於文字和電(diàn )影，古典(🍑)音樂與民(🚗)間(jiān )音(yīn )樂於全片迴(🐛)轉迴盪(dàng )，難怪成了奇(💅)斯洛夫斯基(jī )十大心(xīn )愛(🏒)電影之一。 (🤔) 康城影展青年評審團獎，美國全(🐞)國影評人協會特別獎 (🌱) (🐖) 這部(🔫)1966年(📞)的(⏳)珍品，是捷克新浪潮短暫生命(mìng )中最佳(👚)作(🛃)品(pǐn )之(👩)一。成名音樂家(🕺)到小鎮探(tàn )訪舊(jiù )同學，舊(💁)同學是個窮(👅)音樂教師，有時在喪禮(lǐ )上吹奏(zòu )樂曲。平凡的素材在(🙅)巴素手(shǒu )裡，變出(📯)風趣復(👆)罕見的旋律，一部憂鬱的喜(🍝)劇，或灰色喜劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🍓) Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🏿) - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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